Album: Gautier Capuçon, Valery Gergiev, Tchaikovsky: Variations on a Rococo Theme; Prokofiev: Sinfonia Concertante (Virgin Classics)

Andy Gill
Friday 01 January 2010 01:00 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The pairing of Tchaikovsky's Variations on a Rococo Theme with Prokofiev's Sinfonia Concertante is not uncommon but I'm not convinced it plays to Gautier Capuçon's strengths.

Recorded live with Valery Gergiev and the Mariinsky Theatre Orchestra, the Mozart-inspired Tchaikovsky piece is dispatched with a light touch, Capuçon's bow dancing over the strings but retaining a sureness of tone. But there's a stiff gear-change between its stately, sentimental manner and the darker mood of Prokofiev's late revision of his own Cello Concerto in E minor.

Download this Variations on a Rococo Theme

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in