Invisible Ink: No 125 - Rachel Ferguson

Christopher Fowler
Saturday 26 May 2012 17:15 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

What a grand time it must have been to be a wealthy modern girl! Born in 1892 in Hampton Wick – a terribly proper neighbourhood – Rachel Ethelreda Ferguson was a Treasury clerk's daughter, educated privately in Kensington and finished in Florence, emerging with an independent mind and spirit. At 16, she became a campaigner for women's rights, about which she said: "I was as militant as authority allowed me to be. I wanted to go to prison but was refused on the score of age." She went on to become a leading member of the Women's Social and Political Union, a society that was often accused of existing to serve the middle and upper classes. However, working-class members found it difficult to retain their jobs once they were exposed as campaigners for universal suffrage, and the war needed waging on all fronts.

Ferguson wrote a play for the suffragettes and enrolled in the Royal Academy for Dramatic Art, at which point the First World War rudely interrupted her plans, and she joined the Women's Voluntary Reserve. After, she embarked on a career as a writer.

At this point you're probably getting the image of a worthy, if humourless, Edwardian lady looking for a soapbox, in which case nothing prepares you for her sparkling, energetic prose. She worked for Punch magazine as "Rachel" and was the author of some 16 volumes and several plays, including a memoir, We Were Amused. Her most interesting book was Alas, Poor Lady (1937, subsequently reprinted by Persephone Books), about the female victims of "parental incompetence" who were reduced to penury if they could not find a suitor. It's a novel filled with righteous anger at the preceding generation – not so much at the men who had waged war, but at the lazy, selfish matriarchy who had failed their daughters by making them fearful of spinsterhood, training them only for suitably face-saving marriages.

But there was a lighter side to Ferguson as well; she developed a unique and very modern style of her own that fairly bounces off the page in The Brontes Went to Woolworths, the tale of three bohemian sisters who live on their highly developed imaginations. The language is rich and charming: "A jury summons had commanded Mother on a buff slip, ending 'hereof fail not', for which I forgave it everything." Ferguson lived in Kensington all her life and died too early at 65.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in