Richard Serra, known as ‘world’s greatest sculptor’, dies aged 85

The ‘poet of iron’ passed away at his New York home on Tuesday 26 March

Richard Serra, regularly referred to as one of “the world’s greatest sculptors”, has passed away aged 85.

The American artist died of pneumonia at his home in Long Island, New York on Tuesday (26 March). His death was confirmed by his lawyer John Silberman to the New York Times.

Renowned as the “poet of iron”, Serra was famous for turning curving walls of rusting steel and other malleable materials into large-scale pieces of outdoor artwork that are now dotted across the world.

Born in California in 1938, to a Spanish father and Russian mother, he originally set out to become a painter before practising with steel at the age of 17.

Serra worked in steel foundries to help finance his education at the Berkeley and Santa Barbara campuses of the University of California, and studied fine art at Yale, graduating in 1964.

In 1970, he began creating site-specific sculptures in Japan, Canada and across the US, using the location’s topography to influence the viewer’s experience.

“The whole subject-object relationship is reversed. The content is you!” he told The Guardian in 2008. “If you don’t walk into the work and engage with it, there isn’t any content.”

Richard Serra has died at the age of 85 (AP2008)

Serra’s work started to gain attention in 1981, when he installed a 120-foot-long (36.5m) and 12-foot-high (3.6m) curving wall of raw steel that split the Federal Plaza in New York City.

The sculpture, called “Tilted Arc”, generated backlash with the artist seeing posters with the phrase “Kill Serra” at the time, and a fierce demand that it should be removed. It was later dismantled after a public hearing, but Serra’s popularity in the New York art scene had been cemented.

He is known for working with large rusting pieces of steel (REUTERS)

Richard Serra's 'East-West/West-East' in Qatar (Qatar Museum Authority/Rik Van Lent)

In 2014, he installed four 50ft steel towers in the Qatari desert in a project called “East-West/West-East”.

He toldThe Independent at the time: “You just have to present it and see how people react. You can’t spoon-feed...

“Because to try to force a meaning, to tell them what it’s supposed to be seems to me futile... You can point them in a direction, but they are going to have to find an experience that they want to return to.”