Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

Mona Lisa smile 'based on Leonardo da Vinci's gay lover', claims art historian

Silvano Vinceti believes the famous painting is an amalgamation of two models: Lisa Gherardini and Gian Giacomo Caprotti

Jess Denham
Thursday 21 April 2016 08:45 BST
Comments
Leonardo da Vinci's Mona Lisa remains as enigmatic and mysterious as her smile
Leonardo da Vinci's Mona Lisa remains as enigmatic and mysterious as her smile (Getty Images)

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Mona Lisa’s iconic smile was based on Leonardo Da Vinci’s probable gay lover, an art historian has claimed.

The famous portrait that hangs in the Louvre in Paris has undergone infra-red analysis to give the art world more insight into one of the world’s most renowned paintings.

Following his examinations, Silvano Vinceti believes the artwork is an amalgamation of two models: a rich Florentine merchant’s wife, Lisa Gherardini, and da Vinci’s apprentice Gian Giacomo Caprotti, known to the artist as Salai, or Little Devil.

“The Mona Lisa is androgynous - half man and half woman,” he told The Telegraph, explaining that he studied other paintings based on Salai and found striking similarities. “You see it particularly in Mona Lisa’s nose, her forehead and her smile. We’ve come up with an answer to a question that has divided scholars for years. Who was the Mona Lisa based on?”


It is thought that Salai began working for da Vinci when he was around 10-years-old, after joining the artist’s household in 1490. He stayed for the next two decades. Gherardini married Francesco del Giocondo, whose family owned an extravagant villa during the period in which da Vinci painted the Mona Lisa (between 1503 and 1506). Vinceti has been excavating a covent in Florence for four years with the aim of unearthing Gherardini’s remains.

As ever with artistic theories, Vinceti’s conclusions have not gone unchallenged. Martin Kemp, a leading da Vinci expert and professor emeritus of history of art at Trinity College, Oxford, has dismissed the claims as “a mishmash of known things, semi-known things and complete fantasy”.

“The infra-red images do nothing to support the idea that Leonardo somehow painted a blend of Lisa Gherardini and Salai,” he said, adding that too little is known about Salai’s appearance.

“Giorgio Vasari (a contemporary painter and a chronicler of Renaissance artists) described him as a pretty boy with curly hair, but that was a standard type of the era,” he continued. “It featured in Leonardo’s work long before Salai came on the scene.”

Popular theories about the Mona Lisa abound, with some art lovers claiming that a lost original featured the model nude. Others believe that the portrait once had eyebrows and eyelashes, while some are convinced that da Vinci created multiple versions of the painting.

For now, the Mona Lisa remains as enigmatic and mysterious as her smile.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in