The Independent's journalism is supported by our readers. When you purchase through links on our site, we may earn commission. 

Must see: Constable, Gainsborough, Turner and the Making of Landscape, Royal Academy of Arts, London W1

How Britain's landscape giants braved the elements

Adrian Hamilton
Saturday 05 January 2013 01:00 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

What was it that made landscape painting such a British speciality? The virtue of Constable, Gainsborough, Turner and the Making of Landscape is that it shows how these giants emerged from a tradition that looked to Italy and France for its grander ideals and the topographical painters of place for its inspiration.

Thomas Gainsborough was never able to project it as an art form in its own right, but Turner's Dolbadarn Castle is a painting of fearsome melancholy in which the artist creates the mood through mass, cloud and light. Constable embarked on monumental canvases of Suffolk and carefully observed views of sky and city.

For anyone doubting how much more than a chocolate box scene painter he was, the show features, magnificently, one of his six-foot canvases. Just to get up close and observe the brushwork of The Leaping Horse is worth the visit.

(020 7300 8000; royalacademy.org.uk) to 17 Feb

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in