Hannah Starkey: Twenty-Nine Pictures

Matilda Battersby
Tuesday 18 January 2011 12:08 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Twenty-nine striking pictures by celebrated photographic artist Hannah Starkey have been brought together for her biggest solo show in a decade.

The Mead Gallery at Warwick Arts Centre is hosting the exhibition which opened this week and runs until mid March.

The Belfast-born artist’s work is notable for its day-to-day subject matter and cinematic studio staging.

Click here or on the image for an exclusive online preview

Her pictures depict women in carefully composed scenarios: slumped over a Coca Cola in a seedy pub, anguished in a waiting room, drunkenly passed out on the sofa.

“The cinematic mode of contemporary photography comprises a diverse range of practices and Starkey’s near narrative photography is one particular type that needs to be differentiated from Cindy Sherman’s mimicry of film production stills or Gregory Crewdson’s elaborate staging of cinematic scenarios,” Margaret Iversen, co-director of a research project called Aesthetics After Photography, said.

“What all of these artists’ work has in common, however, is the evocation of the quintessentially cinematic emotions of desire, doubt or anxiety.”

Hannah Starkey: Twenty-Nine Pictures runs at the Mead Gallery, part of the Warwick Arts Centre, from now until 12th March 2011. For more information visit warwickartscentre.co.uk

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in