Preview: Space to Draw, Jerwood Space, London

Not-so-random patterns from Mother Nature

Charlotte Cripps
Tuesday 08 January 2008 01:00 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Peter Randall-Page's two-tonne carved granite sculpture, Skin Deep, and the preparatory sketches that accompany it in a new Jerwood Space exhibition, were inspired by nature.

"The actual pattern or system that is used in the drawings and the sculpture relate to a phenomena in chemistry where two chemicals won't mix, and they create these extraordinary patterns. It is an example of spontaneous symmetry-breaking that plants and animals use, often to create camouflage patterns. In recent years, I've become much more interested in understanding the underlying principles that form the incredible patterns and forms in nature."

Are his drawings the poor relation of sculpture? "Some of my drawings are ways of remembering things for my sculptures others, like these drawings, are works in their own right," he says.

The boulder used for Skin Deep comes from Finland. "An eroded boulder like this is a completely chaotic, random form and then I improvise with this linear pattern or system that you see in the drawings and in the sculpture." Randall-Page has made about 30 sculptures this way.

Other works in the exhibition include Antony Gormley's Feeling Material V, which uses wire to draw a figure within a three-dimensional space. Shown alongside is his series of Clearing drawings, which relate to sculptures that also used raw-metal rods to create 3-D drawings in space.

Heather Deedman will be showing paper cut-outs of intricate drawings of ceramics alongside 60 ceramic objects. Alison Gill, meanwhile, will show intricate line drawings that have informed her two sculptures Trophy (a surreal, huge paper sculpture on a stick with two eyes poking out) and Sleepers Nightmare Witches (two metallised resin giant chrysalises painted silver, with a sound of a pumping heartbeat).

Paul McDevitt, who is known for his cartoon-like drawings, has made two wicker sculptures called Slumper and Lounger, inspired by Henry Moore.

17 January to 10 February (020-7654 0171)

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in