Choice: Theatre
Your support helps us to tell the story
From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.
At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.
The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.
Your support makes all the difference.Playhouse Creatures, Old Vic, London SE1 (0171-928 7651) 7.30pm
Anyone out there remember Alan Bennett's exquisitely funny social- climbing comedy A Private Function? The glorious Liz Smith simply shone as the batty mother, and she does the same thing here. April de Angelis's intriguing, witty play is the backstage/onstage drama about the arrival of women on stage, a seismic event which only happened in 1660. Smith almost steals the show as the dresser-cum-drudge, droll Doll Common. Sheila Gish (above) is also tremendous as a thoroughly grande dame dispensing acting technique, wages and compassion in equal measure.
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments