Stay up to date with notifications from The Independent

Notifications can be managed in browser preferences.

NBC’s Peter Pan Live!: Falling props, tangoing pirates and missed lip-syncs

The live musical was both celebrated and unceremoniously panned, depending on whether people wanted to believe in fairies or simply to hate-watch

Loulla-Mae Eleftheriou-Smith
Friday 05 December 2014 17:18 GMT
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

The three-hour live performance of Peter Pan shown on NBC needed more than just a sprinkling of fairy dust to get off the ground, if the critics are anything to go by.

The American broadcast network aired the three-hour long Peter Pan Live! on Wednesday night, complete with Christopher Walken as Hook, Girls’ Allison Williams as Peter with Minnie Driver narrating the tale.

Unfortunately, reaction to the show has been less than praising: the cast certainly flew but their wires were hardly covered up, the scenes were clunky, some props managed to fall apart during the show, Walken appeared to miss his lip-syncs in places and, well, the pirates were exceptionally camp.

Walken, known for the dancing skills he so gallantly showed off in Fat Boy Slim’s ‘Weapon of choice’ and a certain scene in King of New York, appeared stiffer than expected during the dance numbers, and he fell quiet when singing high notes.

The good quality of Williams’ teeth became a phenomenon in itself and her English accent, while a noble effort, was clipped and fantastically posh.

The Associated Press’s review said the show veered into parody with “a Captain Hook with Walken that seemed like a failed Saturday Night Live sketch about Johnny Depp,” while Gawker simply branded it the “worst three-hour drag show we’ve ever seen”.

But overall, the adaptation of JM Barrie served a purpose for NBC. Whether good or bad, people up and down the United States were tuning in to watch.

“There aren’t too many things left that reliably bring in ultra large-live television audiences these days outside of sporting events and awards shows, but NBC appears to be nursing a strategy that Lifetime has already embraced: courting hate-watchers,” the Washington Post claimed.

It pointed out that the network clearly put money into the show’s sets, and that its producers knew how to have a good sense of humour, too: “When Walken completely punted a high note during one of his numbers, NBC cut in on once, but twice during commercials to show Walken belting out random notes”.

Apple TV+ logo

Watch Apple TV+ free for 7 days

New subscribers only. £8.99/mo. after free trial. Plan auto-renews until cancelled

Try for free
Apple TV+ logo

Watch Apple TV+ free for 7 days

New subscribers only. £8.99/mo. after free trial. Plan auto-renews until cancelled

Try for free

Many viewers expressed disappointment that there was a real dog on set but not a real crocodile, proving that some people will simply never be satisfied.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in