The Taste of Sorrow, By Jude Morgan Headline

Lesley McDowell
Sunday 02 May 2010 00:00 BST
Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Jude Morgan specialises in writing novels about real-life historical literary figures, and while she lacks the postmodern play of a writer such as, say, Emma Tennant, she is nevertheless a truly appealing re-creator of fascinating times and individuals – in this case, the Brontë sisters.

It isn't easy to reconstruct the lives of those whom so many of us think we know, but Morgan's method is to range through the present-tense thoughts of her various characters, making them not only dance for us, but think, too.

The Taste of Sorrow begins with the death of the Brontës' mother; moves swiftly on to the deaths of the elder sisters Maria and Elizabeth, brought on by the harsh regime at their school (as depicted in Jane Eyre); and then on to the demands the world places on the remaining family.

There are no surprises in Morgan's characterisations (Emily is masculine and idiosyncratic, Charlotte responsible and worried, Anne overlooked but steely, while Branwell is fatally overindulged) nor in the characters' fates, but we can immerse ourselves all too happily in this highly believable version of their lives.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in